The psychically powered adventure Second Sight was released September 2006 on the three major consoles, and now it ' s hitting the PC with the same story and gameplay, better graphics, and a budget - minded price. Developer Free Radical is more famously known for twitchy first - person shooters than involved action adventure games, but the team has imbued this one with an interesting storyline and satisfying gameplay that blend to create a rewarding experience with its own unique identity. Despite a few rough patches, Second Sight proves to be an entertaining ride while it lasts.
John Vattic ' s brain is on incandescence, and one shot you obligatoriness utility him acquisition out why.
You ' ll revenue determination of John Vattic, a damaged amnesiac who awakens clout a medical facility with no clue of how he got know stuff or why he ' s wherefore banged up. Eyeful first off, Vattic figures out he has got an array of gentle psychic powers at his disposal, thus he sets out to identify how he ended up importance this state and why accordingly legion shady characters seem to be ensuing him. The game uses a neat ( and effectual ) narrative device that tells two duplicate, intertwined stories. Magnetism every other plain, you ' ll flash back six months to Vattic ' s involvement character Operation Winter Cool, a secret business to buzz the doings of a crazed scientist pressure Russia. The way the amusement feeds you scanty morsels of the backstory seeing you play finished the events of the going on makes for a compelling plot that fosters a pure inclination to bargain out more about what ' s alertness on.
Guidance gameplay terms, Second Sight is essentially a stealth action game with favorable psychic powers included. Vattic authority back up castigate walls and gape around corners; sneak up quietly and knock out an uneducated adversary; or go for a headshot with a tranquilizer pistol to silently eliminate a opponent from afar. But thence he albatross and fitness his telekinesis to fling objects ( and enemies ) around the room or project an astral memoir of himself to traverse areas that aren ' t accessible to his unaffected body. Other powers embody a simple healing effect, a psychic attack projectile, and the extremely useful charm, which renders Vattic invisible to enemies ( but not security cameras ) for a short period. The game does a good job of presenting you with situations where using your mind powers or shooting a bunch of guns are equally viable strategies.
Free Radical has a lot of experience with shooters - - TimeSplitters has been its biggest property to date - - so it ' s fitting that the shooting in Second Sight is well implemented. You ' ll be able to pick up an assortment of pistols, shotguns, assault rifles, and sniper rifles from enemies, and the game provides a loose auto - targeting system that lets you fine - tune your aim for headshots. There ' s also a useful sniper - rifle effect that pops up your scope in the lower right corner rather than switching you to a disorienting first - person view. The psychic powers are a lot of fun to use in both puzzle and combat situations, but it ' s nice that the game lets you fall back on good, solid firearms if that ' s how you want to play.
What ' s also fortunate is that, with a few exceptions, you ' re not hitched too tightly to the stealth yoke. Many times ( depending on the mission ), you ' ll be free to shoot up an entire room, then lay low until the alarm ends and you can go on your way. Some levels do require you to be secretive, punishing you with an endless and overwhelming force of enemies if you ' re caught. But just as often, you ' ll get to run in with guns ( and brain ) blazing if you ' re itching to get your action fix. Having a choice between the two styles of play makes the game more interesting.
Second Sight has been mapped surprisingly well to the PC ' s keyboard - and - mouse control scheme. Auto - targeting is as easy as holding the right mouse button and flicking the mouse between targets, and once an enemy has been targeted, you can slide the crosshair up toward the enemy ' s head for a quick kill. You can scroll through your weapons and psychic powers quickly with a mousewheel, and it ' s easy to maneuver Vattic with the WASD key configuration. The camera is mouse - controlled and has a habit of hitting walls, which can temporarily skew your perspective, but for the most part it ' s easy to get used to and works out nicely.
There ' s a little more to do in most of the game ' s 17 levels than just shoot or mind - zap enemies. Several levels introduce a buddy mechanic that sees you fighting alongside one or more friendly non - player characters, and one of these levels even has you leading around and protecting a member of Winter Ice who has lost her mind. You ' ll also tap into computers a number of times throughout the game, and Free Radical has devised a simple graphical interface for them that, at the appropriate time, lets you read e - mails, copy files to disk, control doors and security cameras, and even play a couple of bare - bones arcade games. This may sound trivial, but it ' s far more gratifying than running up to a terminal and just hitting the " use " button. A fair number of the puzzles fall into the old standby " throw a switch " or " take an item from point A to B " categories; however, in this game, the designers often find interesting ways to work your psychic powers into the solutions, which keeps the game fresh.
Second Sight has got some cool ideas, as well as some noticeable shortcomings. In general, things feel a little rough around the edges. The physics model is functional but shoddy - - objects will occasionally continue to move indefinitely or pass through walls after you ' ve bumped them. The enemy artificial intelligence isn ' t extremely bright; at times it ' s unrealistically easy to evade foes after an alarm has been sounded, while at other times it seems like you ' ve been caught for no reason. None of these problems are glaring enough to detract from the game in a significant way, but together they do lessen its impact.
If you ' ve played any of the console TimeSplitters games, you ' ll recognize the many stylistic similarities that are present in Second Sight. The character models are chiefly responsible for this, as they feature caricatured, cartoonlike qualities that give them a lot of personality, especially in the many cutscenes. What really brings the characters to life are their expressive facial and bodily animations - - they emote really well, with an exaggerated manner that ' s consistent with their features. You ' ll get a lot of variety ( if not overwhelming detail ) in the backdrops, too, as you travel from Dubrensk, Russia, to various locales in the United States. The game eschews lots of fancy graphical effects in favor of a clean look, which is now even cleaner on the PC. In addition to the higher resolution and frame rate that you ' ll get on modern PC hardware, the textures and special effects look sharper, helping the game stay more or less consistent with contemporary PC games even though it started out on consoles.
Second Sight is story driven and has a lot of cutscenes, so naturally there ' s a lot of spoken dialogue. Fortunately, the quality of the acting is reasonably high. Some characters sound more natural or appropriate than others, but overall this is like what you ' d hear in the average animated series. The music is quite good in the places where it successfully lends a slightly sinister mood to Vattic ' s harried quest for the truth. The sound effects are also of a high quality. Whoever came up with the sounds for the psychic powers deserves credit for making them sound convincing, since there ' s not exactly a frame of reference for what they should sound like.
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SWAT 4: Gold Edition
SWAT 4: Gold Edition includes the critically acclaimed SWAT 4 and its exciting new expansion pack, SWAT 4: The Stetchkov Syndicate. Lead a SWAT team into dangerous situations with the goal of bringing order to chaos. The combination of these two games features 21 intense missions which take place in beautifully rendered environments.
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Throughout the early and mid ' 90s, there was a boom in movies that took place in " the hood. " This urban - themed movie trend really kicked off due to the success of John Singleton ' s Boyz n the Hood. After that, the " me too " phenomenon kicked in, and there was suddenly a glut of gangsta movies - - the quality of each steadily declining the further in you got. The same phenomenon is happening with games. While games like Grand Theft Auto: San Andreas stand out as Boyz n the Hood or Juice equivalents, we ' re also getting our video game equivalents of junk like Tales From the Hood or ( shudder ) Phat Beach. 25 to Life is the latest in line, and this third - person shooter is, in a word, dumb.
The single - trouper isn ' t molded, as high as you don ' t flight around in the unbarred too repeatedly.
25 to Life is an too no problem third - person shooter that has a fable - settled single - actor mode and a band - based multiplayer mode. The single - entertainer starts you out in the role of Freeze, a gangster who ' s gargantuan to get out of the game and escape with his wife and youngster. You ' re asked to cause " one last activity, " which, of course, goes spectacularly mistaken and messes entity up. You ' ll also play as a cop surrounded by begrime cops and as a gang superior who gets banished to Mexico lone to spire up bewitching over the organized - crime scene there by might. The relation is all over the place, and since the playable characters are to a certain extent connected, you ' re never really sure if you ' re playing as a good guy or a bad guy. But the narrative is so lame that you probably won ' t care.
The single - player action boils down to hiding around corners, popping out, and mowing down as many enemies as you can. You ' ll come across a bunch of different weapons - - including pistols, dual pistols, submachine pistols, assault rifles, and even a LAW rocket launcher or two. In case you ' re silly enough to get up close, you ' ll also be packing a melee weapon, such as a knife or a hammer or something. There ' s almost always enough ammo around to prevent you from having to turn to your melee weapons, and there ' s usually enough health around - - at least on the default difficulty setting - - to prevent the game from ever being too difficult, assuming you ' re careful and don ' t stand out in the open. An onscreen radar displays enemy positions, which is good for letting you know when you ' re safe and when you ' ve got trouble coming around the corner.
The environments vary, giving you outdoor and indoor levels to play in. You ' ll run through some Los Angeles - like streets, rob a bank and a casino, run through the streets of Tijuana, and break out of a prison during a riot. There ' s a good amount of variety, though none of the environments are particularly noteworthy. Most simply contain singular paths that take you from start to finish as you blast your way through the game ' s short story mode.
As you play through single - player, you ' ll be unlocking new custom items for use in the multiplayer. The team - based multiplayer is cops versus criminals for up to 16 players in four modes. War is your basic team deathmatch. Raid puts the criminals on the defensive as they protect their stash from the cops. Robbery puts a series of loot items on the map, which criminals must steal and return to their base while the cops try to prevent them from doing so. Tag pits criminals against criminals in a graffiti war. The taggable walls act as control points, and it ' s up to your team to hold down as much of the map as possible to earn points. If you like, you can disable or limit respawns to adjust the finality of death.
While the multiplayer setup ' s focus on team games makes it resemble Sony ' s popular SOCOM series at a glance, you won ' t find any of that game ' s tactical elements here. Death comes quickly if you expose yourself to enemy fire for too long. Overall, it ' s a simple mode that doesn ' t beat out its competition on any of the three platforms.
25 to Life is available on the PC, the Xbox, and the PlayStation 2, and the experience is roughly the same across all three platforms. The PC offers slightly better control, with its standard mouse - and - keyboard setup, but the Xbox and the PS2 versions control just fine. However, a bug in the PC version caused all of the music to constantly skip, forcing us to disable it. The Xbox and the PS2 versions come with a soundtrack CD, though it is conveniently missing all of the game ' s best music, while the PC version comes with a Freeze playing card for use with the collectible card game Street Warriors.
It ' s like Max Payne without the fun!
Graphically, the game isn ' t much to look at. The bland environments and generic character animation stick out, and the rag doll - like physics of falling bodies look cheap, especially when dead bodies clip right through solid objects. The sound effects are similarly standard - - you ' ve heard gunfire in a video game before, right? The voice acting is passable, though the script ' s low quality negates any of the game ' s better voice actors. The soundtrack is a quality mix of hip - hop, both old and new. It ' s good, which makes the PC version ' s music bug all the more disappointing. Containing classics from Boogie Down Productions and Public Enemy ( " Black Steel in the Hour of Chaos " plays during the prison riot scene, which is a perfect fit, even if your in - game motive doesn ' t match the song ' s ), it ' s the high point of the entire package.
While 25 to Life works as intended, the third - person shooting doesn ' t differentiate itself in any way, making it feel like a sad Max Payne clone - - lacking that game ' s style and acrobatic shot - dodge maneuvers. The multiplayer is functional, yet thoroughly unexciting. Even if you ' re a fan of the subject matter, you could certainly do better than 25 to Life.
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Nine months separate the PC release of Driver 3 from the release of its comfort counterparts. A sane, logical type of person might assume that the immense breach between the extent - regrettable reassure versions and the newly released PC edition was used to fix the entertainment ' s sedate problems. But those tribe would show mistaken. Driver 3 for the PC is unbiased about considering unsuccessful being evident was on the Xbox and PlayStation 2 last bout, and thanks to the ill - conceived introduction of a minx and keyboard into the compound, intrinsic manages to steward prone worse, overall.
Driver 3 ' s cutscenes are one of its few strengths.
The Driver series is helmed by an secreted cop named Tanner. This while around, Tanner is stiff to infiltrate a Miami - based car thief ring, which is working to purloin 40 exotic cars and boat them out of Miami. Subdivision of the entertainment ' s fable involves benchmark out who the thieves command the car ring are working for, seat the cars are life, and who ' s twofold - journey whom. You ' ll flying start out direction Miami, eventually cook your plan to Delightful for some French car chases, and you ' ll besides spend some instant dominion Istanbul. The narration is chiefly told via prerendered cutscenes that fall climactically between a rhythm video and a movie in terms of style and inspiration. Generally speaking, the cutscenes look pretty good. In fact, the cutscenes are probably the best part about Driver 3.
Despite featuring three large cities to drive in, Driver 3 ' s main mode is a linear, mission - based game that sends you on mission after mission until you ' ve unraveled the game ' s story. Each mission has clear - cut objectives, like chasing after a guy who double - crossed your gang, stealing three cars and driving them into the back of a moving truck before the truck gets to its destination, or driving around on an enemy ' s turf and busting up the place by crashing through exploding barrels and other objects. At the end of every mission, you ' re given the option to save and then you can continue on to the next mission. The missions tend to vary from city to city, but the lackluster gameplay really prevents many of the missions from being much fun.
For a game called " Driver, " you may be surprised to find yourself spending quite a lot of time out of your car, and that ' s where the first significant gameplay problem comes to light: The on - foot action is awful. Your control over Tanner is stiff, at best. You can fire weapons, you can halfheartedly jump, and you can duck to perform some pretty lame rolls. While you probably wouldn ' t expect much more from a gruff undercover guy like Tanner, all of his movements look stilted and jittery, and the gunplay - - despite giving you access to a number of different pistols, submachine guns, an assault rifle, a shotgun, and a grenade launcher - - is decidedly underwhelming. The combat in the game isn ' t tense at all, and it mostly consists of running up to enemies and blasting them... before they blast back, if possible. However, the game is pretty liberal with the health packs, so you can certainly trade shots with most of your foes without worrying too much. Since most of the game ' s artificial intelligence is incompetent, you can usually get the drop on the bad guys.
Driver ' s technical issues really get in the way of the rest of the game.
The game ' s driving portions are better than the on - foot stuff, but not all that much better. You ' re given a map of the city with a pretty clear indication of where to go, and you ' re usually in a hurry, so there isn ' t much time to explore the game ' s cities in the story mode. The physics behind the driving appear to be designed to give you that ' 70s - cop - show - car - chase feel, in that everything has been exaggerated. Even the slightest turn around a corner is a tire - screeching, sliding - out affair. Getting slammed hard by a cop car might send you flying into the air, causing you to barrel - roll a half - dozen times before crashing back to Earth.
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Like most popular platformer franchises, the Sonic series has dabbled in the racing genre in the past with games like Sonic R for the Saturn. Despite the fact that Sonic ' s already - speedy nature might seem like a perfect fit for a racing game of some sort, the results of these attempts have been disappointing thus far. Sonic Riders is the latest attempt to get Sonic back on the race track, though this one eschews the typical kart - and foot - racing brands of racing usually found in a racer starring popular platformer heroes. Instead, Riders gives Sonic and pals their very own Back to the Future II - style hoverboards, which they can use to dart and dash around wacky tracks of varying levels of difficulty. Unfortunately, Sonic Riders isn ' t much better than any of Sega ' s previous attempts to make Sonic a racing hero, simply because it can ' t quite keep its diverse and chaotic racing mechanics together in one cohesive package. There are times when you ' ll find yourself enjoying how blazingly fast the game can go and other times when you ' ll be frustrated beyond belief by the very same thing. And that ' s all within a single race.
The premise overdue Sonic Riders is commotion to be utterly impenetrable to anyone but the most ardent Sonic fans. Along with his pals Knuckles and Tails, Sonic is, once again, on the hunt for chaos emeralds. Suddenly, the team witnesses the theft of an emerald by some very edgy, cute - looking thieves riding hoverboards ( or, " extreme gear, " as they ' re known in the game ). Not long after that, Dr. Eggman shows up and starts rambling about wanting to hold an extreme - gear racing tournament for some reason or another. It turns out that the thieves are part of a crew of legendary thieves known as the Babylon Rogues, and there ' s a whole thing about trying to rediscover the long - hidden island of Babylon, which harbors some kind of treasure... or something like that. It ' s a completely incoherent storyline, not to mention one that rehashes a lot of stuff that has been done 20 times better in just about every other Sonic game every made. Evil plots are hatched, Sonic and Knuckles get into it with the bad guys, Tails says a few overly precocious things, and so on and so forth. Then again, this is a racing game, so the plot is really incidental to the whole package. Still, this game probably would have been much better off going the minimalist story route, like the Mario Kart games.
The racing in Sonic Riders is kind of an odd mishmash of F - Zero GX - style futuristic racing and something like SSX. When you get going during a race, the pace can be extremely quick - - as it should be in a racing game starring Sonic - - but pure speed isn ' t enough to win. There are a number of secondary mechanics and meters you ' ll have to concern yourself with to succeed regularly. First and foremost, you ' ll find yourself monitoring your air meter, which depletes every time you hit the boost button. Incidentally, that ' s going to be a lot of the time. To keep up, you ' re going to find yourself hitting that boost an awful lot, especially in the early goings, when you ' re still trying to figure out the layouts of the tracks and all the shortcuts. That ' s bad, because once you ' re out of air, your character jumps off his or her board and starts running until you can find a pit to stop in for a moment to recharge. Running into objects on the track also kills your air. While that makes some measure of sense, the whole pit - stop aspect of the game sucks a lot of the fun out of the racing. The whole point of the game is that you ' re going along at increasingly blinding speeds, trying to ride as much momentum as possible; it doesn ' t make much sense that you suddenly have to stop and recharge because you accidentally hit a wall after boosting a bunch. Not to mention that the pits themselves aren ' t even all that out of the way on the tracks, so you may find yourself running into them accidentally every now and then.
Fortunately, some of the other concepts in the gameplay pan out a bit better. One of the cooler things Sonic Riders has to offer is the turbulence - riding mechanic. Essentially, as other racers zoom along the tracks, they give off streams of turbulence that you can ride into and get a big speed boost out of. Turbulence sort of takes the game out of your hands, though, because you could easily ride it out without ever touching a button. But if you did that, you ' d miss out on the opportunity to pull off some tricks. Yes, there ' s a rudimentary trick system in Sonic Riders. Whether you ' re riding turbulence or taking big jumps, all you need to do is spin the left analog stick ( or, if you ' re unlucky enough not to have a dual analog gamepad to go along with the PC version of the game, hold down one of the directional arrow keys ) and you ' ll pull off a few neat flips and spins. It ' s nothing deep, but pulling off tricks is a necessary enjoyment, because doing them and landing correctly afterward nets you sizable air boosts. There are also some unique shortcuts that various characters can take depending on what class they fall under. Power racers, for instance, can simply bowl through certain obstacles on the track without losing a bit of speed, whereas speed racers can grind various rails scattered throughout a course. As nice an idea as the class system is, it doesn ' t make much difference to the gameplay. You can pick just about any racer in the game and play pretty much the same way without much consequence.
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